2018年10月10日 星期三

光跡(light trail)

裝置 installation in situ
雕刻在牆上Carved on wall
依據場地而定 Dimensions variable

展覽:悄聲騷動
耿畫廊TKG+,台北/台灣
installation view,in the exhibition
QUIET RIOT​
Tina KengGallery TKG+Projects, Taipei/Taiwan
2018


在作品<光跡>中,藝術家邱承宏轉移了另一處空間中的燈具,將它們重新陳設在展覽場所中,同時依據著畫廊空間裡原本的建築結構來進行配置。在這些燈具的投射下,邱承宏循著光暈的輪廓,將它們一一雕鑿在空間中,之後再將這些搜集來的燈具移除,讓原本空間中的自然光與雕刻(影)同時並存。邱承宏通過刻劃出某個日常片刻的光影印跡,將空間的感知慢慢地鑲入在其他不同的時空凹槽中,保留一種直接但溫和的衝突。

With the work , artist Chen-Hung Chiu repurposed a lighting device from another place and installed it at the exhibition space, according to the gallery’s original structure. Under these lights, Chen-Hung Chiu traced the silhouettes generated by the device, and sculpted them one by one in the space. The lighting device was then removed and thus the sculptures (shadows) coexists with natural light in the gallery. By carving the imprints of light and shadow from a certain ordinary daily moment, Chen-Hung Chiu engraved spatial perception inside a container of another space and time, and preserved a kind of conflict that is direct yet subtle.










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餘暉1367(The Dust 1367)
燈具、牆上鑿洞
Projection light、Carving on the wall
2018








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